VIRA REALIS Ensemble / Vibrato
Iwona Wojnicka
Saturday
12:00 - 12:30
ONLINE
Short Presentation
This is a work in progress on the diversity of aspects of vibrato in sound and in motion. The piece is a result of the practice research of two PhD students from the University of Huddersfield. Iwona and Angela, worked online for 3 months between the time zones of
Warsaw and Bogotá, without meeting in person. This presented a unique set of challenges, such as limited space, appropriate lighting and turning their homes into rehearsal studios.
During the lockdown, they developed a practice in which a wide range of possibilities for the poetics of movement, sound and space was explored. The issue of embodiment of technography has become meaningful in the creation. The video is the recording of online live
performance of choreography, sound compositions and visual effects and has not been edited.
Choreography: Iwona Wojnicka ; Sound Compositions: Angela Hoyos Gómez ; Realtime Visuals: Diego Herrera; Live Electronic Music: Juan Hernández
video link: https://vimeo.com/582158022/9b904708c8
Performer, dancer and choreographer who has a special affection for early Ausdruckstanz and its transnational migrations of movement vocabulary. She researches the limits of remake and re-composition in choreography and has been developing a concept of choreographic response. This Practice Research has resulted in several stage and site-specific productions under the common name of The Warsaw Museum of Dance 2017 – 2019.
Since 2020 Iwona has been studying her PhD at the Research Centre of Performing Practices of Huddersfield University. Iwona Wojnicka holds an MA in Sociology from the University of Warsaw, while her dance biography includes Laban Movement Analysis 2010 – 2016; Butoh 2003 – 2010 and Physical Mime 1996 – 2001.
Since 2020 she has been studying her PhD at the Research Centre of Performing Practices of Huddersfield University. Iwona Wojnicka holds an MA in Sociology from the University of Warsaw, while her dance biography includes Laban Movement Analysis 2010 – 2016; Butoh 2003 – 2010 and Physical Mime 1996 – 2001.